'Spin' (9/97, p.157) - "...Lennon's feedback textures sound startlingly contemporary -- the way he plays against Ono's mantric form-warbles, sinking into free-jazz gush, could be mistaken for something newly struck by Sonic Youth's Thurston Moore..."

'Melody Maker' (6/97, p.58) - "[This] is, assuming you're relatively strong of stomach, fantastic ... for all its improvised imprecision, it actually sounds subtle, structured even … tremendously listenable."